Sea Fever 1) Who wrote the poem ‘Sea Fever’? Ans:- John Masefield wrote the poem ’Sea Fever’. 2) What was the favourite place of the poet? Ans:- To see the sea was the favourite place of the poet. 3) What do you mean by steer? Ans:- Steer means to control the direction of movement. 4) What was the colour of mist on the sea’s face? Ans:- The colour of the mist was grey. 5) What thing did not the poet deny? Ans:- The poet can not deny the call of running tide. 6) Write the name of Sea-bird? Ans:- Sea-gull is the name of a sea-bird. 7) Who wants to live a gypsy life? Ans:- The poet wants to become a gypsy life. 8) Write the name of the sea-animal? Ans:- Whale, a name of the sea-animal. 9) What do you mean by whetted knife? Ans:- Whetted knife means sharpened knife. 10) What kind of day does the poet prefer for siling? Ans:- The poet prefers vagrant gypsy lives in a sea-gull and whale’s way. 11) What does the poet do when the
Write a note on Joyce's use of epiphany in A Portrait of The Artist As a Young Man.
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James Joyce ensures continuity through the use of epiphany because all of the revelations and realisations provide Stephen with guidance and acknowledge the contribution of each and every experience in developing Stephen's character and his ability to make a difference. In this way the cycle of epiphanies that take place in Stephen's life help in the growth of his artistic and spiritual vocation through the form of bildungsroman.Here lies the significance of the employment of epiphany in A Portrait of The Artist as A Young Man.
Epiphany denotes 'manifestation 'or ' showing forth' . This term refers to the incarnation of a divine being ,referring to the festival commemorating the manifestation of Christ to the Gentiles, often called the “Magi”, but in A Portrait of The Artist as A Young Man, James Joyce uses moments of clarity and a recognition of another perspective as "epiphanies." The reader becomes aware of the change in Stephen's character, however momentary, and this drives the plot of the novel. In Stephen Hero, an earlier version of A Portrait of The Artist as a Young Man, Stephen is referring to the clock at the Ballast Office, a seemingly insignificant building and clock but capable of making Stephen think because, "all at once I see it and I know at once what it is: epiphany." James Joyce nicely culminates the final choice of Stephen of vocation and his rejection of religion and nationalism.
The genius of Joyce, opens the chapter of epiphany from the very openning chapter. The epiphanies of this chapter consist of the concept of pulling out of his eyes for daring to think of marrying Eillen Vance, a protestant , Stephen's annoyance at the adults,falling out regarding religion and politics. His dream of Parnell's death after his day dream about his own death as a result of being pushed into a ditch. Another epiphanic touch in Stephen approaching to the rector. These events make Stephen feel the narrowness in the name of religion.
The most delicate touch of Epiphany occurs in the famous "Hell Scene". Father Arnall delivers a moral lecture on the occasion of the three-day retreat . Stephen seems to visualize Inferno when Father Arnall depicts hell vividly.But before this scene ,Epiphany peeps through in the second chapter. In the romantic tale of Count of Monte Cristo,the synthesis of the dream of Mercedes with the prostitute's embrace is the final epiphany which leads him to the mire of sin resulting his confession. Stephen realizes the mode of his sin while listening to Father Arnall's depiction of Inferno.He thinks that he would surely reach to hell,the most important being his closeness with a prostitude . It leads Stephen to get rid of a carnal sin as well as it drives him to confession to a priest.
In the fourth chapter ,his priestly vocation undergoes a change with another epiphanic vision in the director's room. In most significant of all epiphanies takes place in the chapter of fourth which gives Stephen a singular insight into own nature and vocation . Which he is called by the name of 'Stephen Dedalus! Bous Stephanoumenos'. The word 'Dedalus'gives him an immortal experience: "....his strange name seemed to him a prophecy. Now ar the name of the fabulous artificer he seemed.....to see a winged from flying ....". This indicates his achievement of artistry,as a divine creator he would 'recreate life out of life '.
After his sexual encounter and his epiphany at the end of chapter two; "surrendering himself;" he becomes weighed down by his own sinful acts which "kill(s) the body and (it) kill(s) the soul." By the end of chapter three, he revels in the life-changing potential that he now faces and the power and potential of "Another life! A life of grace and virtue and happiness!" As Stephen takes Communion, he feels the real power of the act of Holy Communion as he accepts that "Past is past." His feelings are very real and immediate, even if by the end of chapter four he chooses one path and then a different path. Life and experience goes "on and on and on and on."
Well written
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